Thursday, 18 August 2016

                               MY VIEWS ABOUT 2016 RELEASED BOLLYWOOD FILM
                                                                 MOHENJODAR"



Yesterday had the opportunity of experiencing Mohenjo Daro. It was literaly Mohenjo Daro - with the only difference that here dead bodies are substituted by dead thoughts of a stagnant and rotting creativity. It was such a waste of time and money. A strange film which effectively destroys the pride of the Indus Valley Civilization and degenerates it's cities from the strature of huge metropolis of the ancient world to some tribal headquarter of a long forgotten tribal kingdom. Why can't Bollywood think out of the box? Why there always need to be a hero, a damsel in distress and a dehumanised villain of Iago's stature? I lack enough deregetory words to express my opinion of the film. The torture that I endured was mind numbing. From the begining till the end it lacks the stature of an epic and is just another love story happening somewhere in history. To begin with the name of the cities of Indus Valley were not Harrapa and Mohenjo Daro. We don't know the script and thus we don't know the name. The height of idiocy happens when Indus gets rechristened for no apparent logical reason. The story ends with Indus being called Ganga and the farmer of Indus, the hero of our fairy tale for the mentally unbalanced doning the mythycal stature of Indra, the Aryan God who broke dams and freed the water needed for cultivation. The heroine has a great figure and look and beyond that she is blank. She knows nothing of acting and just walks through the film as a model walking on a ramp wearing someone else's clothes.  If you see the film then it is not just willing suspension of disbelief but a gradual progression in metal retardation. If you are brave enough to spend 2 hrs 35 minutes trapped in an asylum then you must not miss the film. I must warn you not to believe my personal opinion about the film because among the audience thoroughly enjoyed the film by giving claps at the right moment. May be I am the retarted one who failed to see the deep meaning in the film that destroys the Indus Valley Civilization.

Wednesday, 17 August 2016

favourite film
OVIE

Directed by                                   Ang Lee
Produced by                                 Gil Netter 
                                                     Ang Lee
                                                     David Womark
Screenplay by                              David Magee
Based on                                     Life of Pi
                                                     by Yann Martel
Starring                                          Suraj Sharma
                                                       Irrfan Khan
                                                       Tabu
                                                       Rafe Spall
                                                       Gérard Depardieu
Music by                                          Mychael Danna

Cinematography                             Claudio Miranda
Edited by                                       Tim Squyres
                                                 
Productioncompany                       Fox 2000 Pictures
                                                       Dune Entertainment
                                                       Ingenious Media
                                                      
Distributed by                                 20th Century Fox
Release dates                                September 28, 2012 (NYFF)
                                                       November 21, 2012 (US)                  
Running time                                  127 minutes
Country                                           United States
Language                                       English
Budget                                            $120 million
Box office                                        $609 million





ABOUT

Life of Pi is a 2012 American survival drama film based on Yann Martel's 2001 novel of the same name. Directed by Ang Lee, the film's adapted screenplay was written by David Magee, and it stars Suraj Sharma, Irrfan Khan, Rafe Spall, Gérard Depardieu, Tabu, and Adil Hussain. The storyline revolves around an Indian man named "Pi" Patel, telling a novelist about his life story, and how at 16 he survives a shipwreck in which his family dies, and is stranded in the Pacific Ocean on a lifeboat with a Bengal tiger.

The film had its worldwide premiere as the opening film of the 51st New York Film Festival at both the Walter Reade Theater and Alice Tully Hall in New York City on September 28, 2012.

Life of Pi emerged as a critical and commercial success, earning over US$609 million worldwide. It was nominated for three Golden Globe Awards which included the Best Picture – Drama and the Best Director and won the Golden Globe Award for Best Original Score. At the 85th Academy Awards it had eleven nominations, including Best Picture and Best Adapted Screenplay, and won four (the most for the event) including Best Director for Ang Lee.

PLOT

In Canada, novelist Yann Martel meets Pi Patel, whom he has been told has a life story that would be a good subject for a book. Pi tells his story to Yann:

Pi's father names him Piscine Molitor after the swimming pool in France. In secondary school in Pondicherry, he adopts the name "Pi" (the Greek letter, π) to avoid the sound-alike nickname "Pissing Patel". He is raised Hindu and vegetarian, but at 12 years old, is introduced to Christianity and then Islam, and decides to follow all three religions as he "just wants to love God". His mother supports his desire to grow, but his father, a rationalist, tries to convert him. Pi's family owns a zoo, and Pi takes interest in the animals, especially a Bengal tiger named Richard Parker. After Pi gets dangerously close to Richard Parker, his father forces him to witness the tiger killing a goat.

When Pi is 16, his father announces that they must move to Canada, where he intends to settle and sell the animals. The family books passage with the animals on a Japanese freighter. During a storm, the ship founders while Pi is on deck. He tries to find his family, but a member of the crew throws him into a lifeboat. A freed zebra jumps onto the boat with him, breaking its leg as it lands. The ship sinks, killing the crew and his family. Pi sees what appears to be a survivor, but it turns out to be Richard Parker, which evades his efforts to keep him out of the boat.

After the storm, Pi awakens in the lifeboat with the zebra, and is shortly joined by a surviving orangutan. A spotted hyena emerges from a tarpaulin covering half of the lifeboat and snaps at Pi, forcing him to retreat to the end of the boat. It kills the zebra and later the orangutan. Richard Parker emerges from under the tarpaulin, killing the hyena and attempting to kill Pi, before retreating back to cover for several days.

Pi fashions a small tethered raft from floatation vests, and he retreats to it for safety from Richard Parker. Despite his moral code against killing, he begins fishing, enabling him to sustain the tiger as well. When the tiger jumps into the sea to hunt for fish, Pi considers letting him drown, but ultimately helps him back into the boat. One night, a humpback whale breaches near the boat, destroying the raft and its supplies. Pi trains Richard Parker to accept him in the boat, and realizes that caring for the tiger is also keeping himself alive.

Weeks later they encounter a floating island of interconnected trees. It is a lush jungle of edible plants, fresh water pools and a large population of meerkats, enabling Pi and Richard Parker to eat and drink freely and regain strength. At night, the island transforms into a hostile environment. Richard Parker retreats to the lifeboat while Pi and the meerkats sleep in the trees; the water pools turn acidic, digesting the fish in them. Pi deduces that the island is carnivorous after finding a human tooth embedded in a flower.

Pi and Richard Parker leave the island, and eventually reach the coast of Mexico. Pi is saddened that Richard Parker does not acknowledge him before disappearing into the jungle. He is rescued and brought to a hospital. Insurance agents for the Japanese freighter company interview him, but do not believe his story and ask what "really" happened. He tells a different story, in which the animals are replaced by human survivors of the shipwreck: his mother for the orangutan, an amiable sailor for the zebra, and the ship's brutish cook for the hyena. In this story, Pi kills the cook and feeds on his flesh until he reaches Mexico. The insurance agents are not satisfied with this story either, but they leave without questioning Pi further.

Yann recognizes the parallels between the two stories, noting that in the second one, Pi fills the role of the tiger. Pi asks which story the writer prefers, and Yann chooses the first, to which Pi replies, "and so it goes with God". Glancing at a copy of the insurance report, Yann sees that the agents also chose the first story.

MAKING OF THE FILM

There was nothing easy about the making of the Oscar-award winning film Life of Pi — a movie that took a book about philosophy and being lost at sea and turned it into a visually-stunning 3D experience.
"To make an impact with water, you usually need to create a 200-foot wave when shooting in 2D," Lee told members of the press at its DVD launch event. "I knew that to make it work with 3D, water had to become a character itself. I've never seen realistic water scenes in movies because water hits one side of a tank wall and bounces back like it would in a bathtub, but we needed to make it work."

To do so, Lee and his team decided to create a massive wave tank. It was built on an actual runway at a Taiwan airport — in fact, it was carved into the middle of the runway. After spending four months to develop, a 250-foot-long, 100-foot-wide and 9-foot-deep tank was able hold up to 1.7 million gallons of water. One wall was even movable, so they could take advantage of sunlight.

"I wanted something that could create an elongated wave, and show one side of it and having it dissolve from the other, so I could at least control the shape, size, pattern and rhythm," Lee said.

With the help of high-powered wind blowers and strategic camera work, they were able to make a deep sea swell. Typhoon-strength winds and a water cannon also were used to blast the actor, and make his reactions more real.





BOX OFFICE

As of May 8, 2013, Life of Pi has grossed US$124,772,844 in North America, and US$484,029,542 in other countries, for a worldwide total of US$609,006,177.During its opening on the extended Thanksgiving weekend, the film debuted in 2,902 theaters throughout the United States and Canada and grossed US$30,573,101. On the Chinese mainland, from November 22 to December 24, the film topped the box office for three weeks, and grossed over US$91 million.As of January 24, 2013, it had also topped the box office for three weeks in Australia,Chile, and four weeks in Mexico and Peru. The film became the biggest Hollywood hit of the year in India and is also estimated to be the third-highest grossing Hollywood release of all time in the country behind Avatar and 2012.Life of Pi has earned HK$45,058,653 (US$5.8 million) at the Hong Kong box office, making it the highest grossing Ang Lee film in Hong Kong.

Life of Pi was listed on many critics' top ten lists.

1st – Anne Thompson, Indiewire
1st – Betsy Sharkey, Los Angeles Times
2nd – David Germain, Associated Press
2nd – Roger Ebert, Chicago Sun-Times
3rd – Richard Corliss, Time
3rd – Noel Murray, A.V. Club
4th – Richard Roeper
4th – Lisa Kennedy, Denver Post
4th – Mary Pols, Time
6th – Oliver Lyttelton, Indiewire
6th – Rene Rodriguez, Miami Herald
6th – David Edelstein, New York
8th – Peter Travers, Rolling Stone
9th – Sean Axmaker, MSN Movies
10th – Mike Scott, The Times-Picayune
Top 10 (ranked alphabetically) – Phillip French, The Observer
Top 10 (ranked alphabetically) – Claudia Puig, USA Today
Top 10 (ranked alphabetically) – Joe Williams, St. Louis Post-Dispatch

Top 10 (ranked alphabetically) – Stephen Whitty, The Star-Ledger